So Slam Sounds
Gigs don’t get any more intimate and personal than this. As we arrived at the Fisherman’s Chapel we were greeted with a candle lit path lighting the way up the side of the Chapel to the entrance at the rear. A relaxed atmosphere was imediately evident and the sense of stepping back into a simplier way of life filled our senses with the only one sharp reminder of modern ways momentarily breaking the ambience…… ‘did you pay online?’
The Chapel is a small hall containing numerous reminders of its Fishing heritage which Squeezebox Folk had so skillfully added too resulting in a truly maritime feel. An anchor, rope, sails, lanterns, fairy lights, an oar and bunting all scattered around with wonderful maritime imagery projected onto the high wall behind the main staging area. Every element of the environment ticked all the boxes for the sea and maritime theme the organisers were aiming for.
In this occasional retrospective of music retrieved from the recent, and not so recent, past I’d like to turn my attention (and yours) towards an album of songs that changed the way I listen to new writers and performers. Dark Nights Make For Brighter Days by Samantha Whates was released in 2011, a year before I started writing reviews for this webzine and, when I finally caught up with it twelve months later, it opened my ears to a new generation that seemed to me to have sprung up overnight.
Understated, other worldy debut from the London-based Scottish singer songwriter whose lightly produced album showcases a set of sometimes slight, sometimes absorbing songs and Ms Whates’ deceptively forceful voice which pushes the songs onto more solid ground.
Folk Radio UK
Dark Nights Make for Brighter Days, the debut album from the Scottish singer-songwriter Samantha Whates is, as the title suggests, a record of contrasts and contradictions. Recorded live at Castlesounds in Pencaitland – a small village just east of Edinburgh – almost two years ago, ‘Dark Nights…’ is an intriguing collection of self-penned songs, feeling at once tied to its Scottish roots lyrically (‘So the car broke down/fill the bottles from the burn’) and in thrall to more exotic influences musically.
Sound of the Ladies
Fans of good acoustic music should listen to Samantha Whates’ debut album, Dark Nights Make for Brighter Days – those at Christ Church in Spitalfields for the launch last night will know how melancholy and pure it is, how talented the musicians involved are, and (this won’t come as a shock to anyone who’s seen her perform before) how beautiful her voice sounds.
Samantha Whates – A Young Woman Who Takes The Popular Song Beyond The Boundaries
Sometimes, a song is playing and the room becomes absolutely still and quiet. There is no interruption save for the singer’s measured breathing as it balances airlessly on the melody. A single instrument picks out only as much notation as is necessary to frame the piece.